Well, I can’t see all of you, but it’s a pleasure to be in Seattle this evening. You’ve made me feel real welcome. Thank you!
Before I get started, I want to thank some people who made this possible. First of all, I want to thank Bruce Pavitt for his friendship and vision and patronage. I’d like to thank Jared and Alex, I’d like to thank HPX and On-A-Dime. These are the people responsible for the visuals. I’d like to thank John, who’s responsible for the ambient background—if there is one. And Dean Chamberlin, who took the amazing photographs of Albert Hofmann and Tim Leary and myself; other people. Be sure to check out his photographs; the guy is a major talent.
Okay. So much for all of that. I hope you all got the brochures which were available this evening, which indicate major events in the psychedelic community to come—one in Mexico that’s become legendary over the years, and one dedicated to psychedelic artists that will occur in Hawai’i this September that is a new experiment in an effort to expand the dialogue on psychedelics, to bring artists out of the closet and force a confrontation on the issue of the impact of psychedelics on creativity.
Okay, having said all that, our discussion this evening is: Psychedelics in the Age of Intelligent Machines, or Shamans Among the Machines. And I wanted to talk about this simply because these are two of my great loves, and so I assume—being monogamous—they must be one love. So, how to build intellectual bridges between these two concerns which seem so different. As far as people and machines are concerned, it was Ludwig von Bertalanffy, I think, who said in his book General System Theory: “People are not machines, but in every opportunity where they are allowed to behave like machines, they will so behave.” In other words, we tend to fall into the well of habit—though the glory of our humanness is our spontaneous creativity. We, too, as creatures of physics and chemistry, of memory and hope, tend to fall into repetitious patterns. And these repetitious patterns are the death of creativity. They diminish our humanness, they diminish our individuality, make each of us somehow like cogs in some larger system. And we associate this cog-like membership in larger soulless systems with the machines that we inherit from the age of the internal combustion engine, the age of the jet engine. You know, Marshall McLuhan said we navigate our way into the future like someone driving who uses only the rear-view mirror to tell them where they’re going. It’s not a very successful strategy for navigating into the future.
So I made a number of notes on this matter of psychedelics and machines. To me, the connecting bridge—well, there are many—but the most obvious one is consciousness expansion. After all, psychedelics—before they were called entheogens, before they were called hallucinogens, before they were called psychedelics—they were simply called consciousness-expanding drugs. Good phenomenological description of what they do. And certainly, the technology of cybernetics is a consciousness-expanding technology. It expands a different area of consciousness. The minds of machines and the minds of human beings are very different; so different that each party questions whether the other even has a mind. But, in fact, what these are are species of minds operating in very different domains. For instance, you can ask a five-year-old child: “Go into the bedroom, to the third drawer of the dresser, to select a pair of black socks, and to bring them to mother.” This is not a challenge for a five-year-old child. To get a machine to do this is a hundred million dollars and a research team of forty or fifty technicians, code-writers, working months. On the other hand, if you ask a person for the cube root of 750,344, much head-scratching results. A computer is utterly undaunted by that question.
So computers are minds that work in the realm of computation, and human minds are minds that work in the realm of generalization, spatial coordination, understanding of natural language, so forth and so on. Are these kinds of minds so different from each other, pilgrims, that there is no bridge to be crossed? I would submit not. But, in fact, a bridge between the human mind and the machine mind is symbolic logic: mathematics. When we think clearly, we are intelligible to machines. People who write code know this: that the essence of making yourself clear to a machine is to think clearly yourself. The machine has no patience for the half-truth, the analogy, the semi-grasped association. For the machine, everything has to be clear, everything must be defined.
So that’s the commonality between minds and machines of the calculating species. What are the common bridges between psychedelics and these machines? Well, to my mind, this is an easier bridge to gap. Both computers and drugs are what I would call function-specific arrangements of matter. And as we develop nanotechnological abilities, as we move into the next century, it will be more and more clear that the difference between drugs and machines is simply that one is too large to swallow—and our best people are working on that! You know, nanotechnology is a very hot buzzword at the moment; an unimaginable dream of building machines and small objects up atom by atom, perhaps under the control of long-chain polymers running forms of pre-programmed software of some sort. It’s all very razzmatazz, very state-of-the-art. But in fact, pharmaceutical chemists have been working in the nanotechnological realm for over a hundred years. I mean, when you synthesize molecules out of simpler substrate specifically to have a confirmational geometry that matches something going on in the synapse of a primate—a human, or a monkey, or something like that—you are working at this nanotechnological level.
Both the psychedelic and the new computational machines represent extensions of human function. And this is really close to the nub. It locks in with the concept of prosthesis. The drugs—the psychedelic substances, the shamanic plants—are forms of prosthetic devices for extending the perceptual apparatus into hidden realms or inaccessible realms. Similarly, the machines—by allowing us to model, calculate, and simulate very complicated multivariable processes—extend the power of the human mind into places it could never dream of going before. And part of what seems to me very real about being a human being and inheriting 10,000 years of human history is the complexity of the inheritance, and the growth of that complexity. A thousand years ago, an intelligent human being could actually dream of mastering the entire database of Western civilization. Read all the classic authors, read the Bible, and you’re closing in on it around A.D. 1000. Now, the notion of any single human being assimilating even a small portion of the database of this civilization is inconceivable. So machines which filter, which search, which are guided by human intent—that’s part of the story. The other part of the story are boundary-dissolving states of ecstasy in which all the factoids of the culture are thrown up for grabs, the deck is reshuffled, synchronicity rules, and out of that steps visionary understanding, breakthrough, integrative breakthrough under the aegis of psychedelic intoxication.
So prosthesis: prosthesis for the human mind and (with the advent of virtual realities of various sorts and that kind of thing) prosthesis for the human body. And I’m very keen on the under-the-table effects of these things. In other words, I’m a full-going, full-hard-charging McLuhanist. And I really believe that the strengths and weaknesses of the world we’ve inherited are strengths and weaknesses put there by print and by the spectrum of effects which McLuhan called the Gutenberg Galaxy: the spectrum of effects spun off from print. And if you’re not used to thinking in McLuhanist terms, it may not seem immediately obvious to you that a phenomenon as different as the modern notion of the democratic citizen, the modern notion of interchangeable parts on an assembly line, the modern notion of conformity to canons of advertising—these are all spectrums of effect created by the linearity and the uniformity of print. It actually, in the late fifteenth century, reconstructed the Medieval psyche into its proto-modern form. And we have lived within that print-constellated cultural hallucination for about five hundred years until the advent of various forms of electronic media in the twentieth century. McLuhan talked about radio, he talked about television. He didn’t really live to see the Internet.
The notion that keeps occurring to me (as I watch all this) is that print was uniquely capable of creating and maintaining boundaries more than any other form of media ever created. It was a boundary-defining form of media. It proceeded linearly. It required literacy, which had implicit in it the notion of a very stable, advanced sort of educational system. Print was a creator and a definer of cultural boundaries. And the new electronic media are not, and neither are the psychedelics. This is why I proposed in a book of mine called The Archaic Revival the idea that the values of the archaic, of the high Paleolithic—values of community, ecstasy, relating to life through rhythm, dance, ritual, intoxication—that these values which seemed so archaic are, in fact, destined to play a major role in the future as print fades. Print is just a convulsive, 500-year episode in the Western mind that opened that narrow window that permitted the rise of modern science, modern mathematical approaches to the analysis of nature, and then obliterated its own platform, its own raison d’être, by allowing the growth, the appearance, of the electronic technologies.
And my supposition about all this—I’m not an apocalyptarian or a pessimist… I may be an apocalyptarian, I’m not a pessimist—I think that this is all very good. Obviously, continuing to run Western civilization on the operating system inherited from print produces various forms of political and cultural schizophrenia which (allowed to run unchecked) would become fatal, would create cascades of chaos and political destabilization that would become uncontrollable. Governments resist change. Governments cling to technologies and social formulae that are already tried and true. In that sense, then, all governments are incredibly anti-progressive forces. Again, the image from McLuhan of someone driving into the future using only the rear-view mirror.
So the electronic media and the psychedelics work together in this peculiar way to accentuate archaic values, values which are counter to the print-constellated world. And when you deconstruct what that means and look at the aboriginal or the Paleolithic or the archaic world, you see that the central figure in that world is the shaman; male or female. The shaman. And the shaman is like a designated traveler into higher-dimensional space. The shaman has permission to unlock the cultural cul-de-sac of his or her people and go behind the stage machinery of cultural appearances, and has collective permission to manipulate that stage machinery for purposes of healing. We have no institution like this. I mean, we have advertising, we have Rock’n’Roll stars, we have cults of celebrity. We have things which are shaman-like, but we have no real institution that permits human beings—in fact, encourages human beings—to go beyond their cultural values, to burst through into some trans-cultural superspace, forage around out there, and bring new memes back into the tribe. To some degree our artists do this. To some degree our scientists do it. But it’s all hit and miss. It’s all willy-nilly. And once achieved, it must be swept under the rug in the service of the myth of method: that somebody was following somebody else’s work, or somebody was applying a certain form of rational or logical analysis, and that that led to their breakthrough.
If you’ve read Thomas Kuhn’s book on The Structure of Scientific Revolutions, you know this is all lies and propaganda. The real story of science is that it’s a series of revelations brilliantly defended by people whose careers depended on the brilliant defense of those revelations. One of the best-kept secrets of the birth of modern science is that it was founded by an angel: that the young René Descartes was whoring and soldiering his way across Europe as a 21-year-old in a Habsburg army, and one night in the town of Ulm in southern Germany he had a dream. Strange that this would be the birthplace of Albert Einstein some 200 years later. But Descartes had a dream, and an angel appeared to him in the dream. And the angel said, “The conquest of nature is achieved through measurement and number.” And he said, “I got it! Modern science! I’ll go do it!” And he did. He did. And that was the method for over 250 years of the conquest of nature. And it leads us to the Joseph’s injunction, the Mars Global Surveyor, long-base interferometry that searches nearby stars for earthlike planets. It brings us the entire cornucopia of scientific effects. But an angelic revelation, disguised as a logical philosophical breakthrough—this is what you’re not told in the academy.
So my point there is: human progress has always depended on the whispering of alien minds, confrontations with the other, probes into dimensions where imagination and chance held the winning hands. So the shaman as paradigmatic figure is applicable both in the aboriginal social context and in the present social context: the skywalker, the one who goes between, the one who passes outside of the tribe and then returns with memes, insights, cures, designs, glossolalia, technologies, and refertilizes the human family by this means. It’s irrational, but it’s how it actually happens, and it’s how it’s always happened, and it may very well be the only way that it can happen. This cultivation of the irrational, this flirtation with the breakdown of boundaries.
So now, in our nuts-and-bolts technological progress, we have somehow created technologies which are very friendly to our social values—in that these technologies can be bought, sold, licensed, upgraded; all things which we understand—but these technologies are acting on us in the same way that psychedelic drugs do, but more profoundly, more generally, and more insidiously, because their effect is not understood—or, if it is understood, it’s not discussed. And so, in a way, we have come into a kind of post-cultural phase. All culture is dissolving in the face of the drug-like nature of the future—its music, its design. Indeed, the very people who will inhabit it appear to be the most switched-on, the most chance-taking, the most alive of the entire tribe: people who feel the beat, people who are not afraid to take chances, people for whom these technologies have always been very natural.
Machines are central to the new capitalism; the information-transforming technologies. And in fact, one of the strange things that is happening is: every move we now make in relationship to the new technologies redefines them at the very boundaries where their own developmental impetus would lead them toward a kind of independence. In other words, we talk about artificial intelligence, we talk about the possibility of an AI coming into existence, but we do not really understand to what degree this is already true of our circumstance. In other words, how much of society is already homeostatically regulated by machines that are ultimately under human control, but practically speaking are almost never meddled with? The world price of gold, the rate of petroleum extraction and other base natural resources: how much of these things is on the high seas and in the pipeline at any given moment? How much electricity is flowing into a given electrical grid at any moment? The distribution and the billing of that electricity, all manufacturing and inventory processes, are under machine control. So in other words, the larger flows of energy, capital, and ideas already have a kind of autonomous life of their own that we encourage—because it makes us money, it makes our lives smoother, it empowers us. It’s a symbiotic relationship of empowerment.
Even in the matter of the design of these machines: once, you know, human engineers would work from a set of performance specs, and they would design a chip to meet those specs, and the architecture would be put in place by human engineers. Now a machine is told: here are the design specs. Design the architecture to satisfy the specs. And when that is done the chip is manufactured. The actual design of the thing is in the hands of machines. So these machines are… you know, McLuhan once said of human beings: “We are the genitals of our technology. We exist only to improve next year’s model.” Well, it appears that they’re phasing us out of this ignominious role as well as every other role.
Oh, let’s see here…. So, being an optimist—that’s where I was, yes—how to make gold out of this situation? In other words, how to see this as a natural and positive unfolding of the planetary adventure? And for some of these ideas I’m indebted to [Manuel] DeLanda, who wrote a book called A Thousand Years of Nonlinear History, and I highly recommend it. He didn’t say what I’m about to say—I’ll take credit and blame for it, but the book gave me the idea. When you stand off and look at human beings and their technologies, it’s very hard not to notice that, from the very moment that we have a technology that can be distinguished from chimpanzees pushing grass stems down anthills, or digging with sharpened bones, or something like that—but the minute you get past that, our technologies have always involved the materials of the Earth. What agriculture itself is, is a different way of relating to the Earth. Nomadism, which preceded it, was a seasonal wandering very lightly over the Earth. And at some point the deep, fertile soil of the river valleys that were encountered in these nomadic wanderings were recognized as potential sources of food if cultivated, if treated through a certain set of technological methods. So that early technology is defined by a new relationship to the materials of the Earth itself.
And it’s quickly followed—because agriculture is so successful as a strategy for food production—it’s quickly followed by city-building and the establishment of sedentary populations, because you can’t carry your surplus with you if you’re an agriculturalist. So great is the physical volume of it. Cities. And at the very early establishment of these populations in the Middle East, you get the first traces of metallurgy: the working of metals, the alloying of metals, the tinting of base metals with more precious metals. This process of ever more finely refining and fabricating the materials of the Earth proceeds in an unbroken series of processes and steps right up to the latest 500-megahertz chip, it proceeds right up to the most modern computational machinery.
So, I once heard someone say that animals had been invented by plants to move them around—which, from an evolutionary point of view, you can see that this is a kind of truth. And many, many plants hitchhike around on animals, and no animal has been more prolific in the spreading of plants than the human animal. I mean, we call it ecosystemic disruption, but what it really is, is ecosystemic homogenization. I live in Hawai’i, for example. 80 percent of the plants in Hawai’i are now introduced species. Almost none of the plants that were pre-conquest on the western coast of North America exist anymore. They have been supplanted by much tougher, more tightly evolved Mediterranean plants that had known the presence of grazing animals for millennia. So these flora are constantly being changed. Human beings move plants around.
Well, with that perspective, then, it seems to me the Earth’s strategy for its own salvation is through machines, and human beings are a kind of intermediary, catalytic step in the rarefaction of the Earth. The Earth is involved in a kind of alchemical sublimation of itself into a higher state of morphogenetic order, and that these machines that we build are actually the means by which the Earth itself is growing conscious. You know, if you study embryology, you know that the final ramification (the final spread and thinning out of the nervous system) happens very suddenly at the end of fetal development. And I don’t know if you’ve been paying attention, but in the last ten, twelve years or so, a very profound change has crept over our household appliances: they’ve become telepathic. So while we were arguing about the implications of the Internet for e-commerce or what have you, all of these passive machines previously used for playing Pong and word processing became subsets of a planetary node of information that is never turned off, that endlessly whispers to itself on the back channels, that is endlessly monitoring and being inputted data from the human world.
And we should know, because concomitant to the development of all this technology—chaos theory, non-equilibrium thermodynamics, the work of Erich Jantsch, and Ilya Prigogine, and Ralph Abraham, and Stuart Kauffman (all these people who worked in complexity theory and perturbation of large-scale dissipative structures)—these people have secured that complex systems spontaneously mutate to higher states of order. This is counter-intuitive if you’re running “physics nineteenth-century style” as your OS, but if you’re actually keeping up with what’s going on, there’s nothing miraculous about this. All kinds of complex systems spontaneously mutate to higher states of order. But what it really means is that we are in the process of birthing some kind of strange companion.
You know, Nietzsche, a hundred years ago, said, “That strangest of all guests now stands at the door.” He was speaking of nihilism. And certainly the twentieth century sat down, had the party, drank the booze, and went to bed with nihilism. But! Now a stranger guest stands at the door. And it is the AI—denied as a possibility as recently as ten or fifteen years ago in books like Hubert Dreyfus’ What Computers Can’t Do. But if you’ve been paying attention, you may have noticed those voices have grown strangely silent in the past five or six years. At this point nobody wants to say what computers can’t do and hang their career on that. I mean, that would be extremely reckless at this point, I would think.
Because the fact is: we are, ourselves, elements acting and reacting in a system that we cannot understand. This seems natural to me, because my observations (as stated here this evening) rest on an assumption which science doesn’t share, but which I think is easily conveyed, and you can confirm it from your own experience of life. And it is this: that the universe grows more complex as we approach the present. It was simpler a million years ago. It was simpler yet a billion years ago. As you go backward in time, the universe becomes more simple. As you approach this golden moment, process, complexity is layered upon complexity—not only a planetary ecosystem, not only languages in cultures, but languages in cultures with high technology, with supercomputers, the ability to sequence our own genome, on and on and on. That’s self-evident. Equally self-evident is the fact that this process of complexification that informs all nature on all levels is visibly, palpably, obviously accelerating. And I don’t mean so that glaciers retreat fifty percent faster or volcanism is occurring at twelve percent greater rate than a million years ago. I mean viscerally accelerating. So that now, a human life is more than enough of a window to see the entire global system of relationships in transformation.
Well, I guess you could call me an extrapolationist. If I see a process which has been slowly accelerating for twelve billion years, it’s hard for me to imagine any force which could step forward out of nowhere and wrench that process in a new direction. Rather, I would assume that this process of exponential acceleration—into what I call novelty, which you might call complexity—is a law of being and cannot be retarded or deflected. But what does that mean? Because now a human lifetime is more than enough time to see this process of rampant and spreading virus-like complexity. What does it mean? It seems to presage the absolute annihilation of everything familiar, everything with roots in the past. And I believe that to be true. I think that the planet is like some kind of organism that is seeking morphogenetic transformation, and it’s doing it through the expression of intelligence and (out of intelligence) technology. Human beings are the agent of a new order of being. That’s why—though it’s obvious that we’re higher mammals, and some kind of primate, and so forth and so on—you can look at us from another point of view and see that we’re more like archangels than primates. We have qualities and concerns and anxieties that animals don’t share. We are mercurially suspended between two different orders of being. And our technologies, our fetishes, our religions—and my definition of technology is sufficiently broad that it includes even spoken language—all of our technologies push forward toward and make inevitable their own obsolescence. So we are, like, caught in an evolutionary cascade.
And people say, “Well, if the AI were to break loose, what would it look like? What would it be? Where does humanity fit into the picture?” It’s a little hard to imagine. You know, machines operating at 1,000 megahertz confer automatic immortality on the mammalian nervous system if you can get it somehow uploaded, downloaded, crossloaded into machinery, because ten minutes becomes eternity in a machine like that. So a kind of false or pseudo-immortality opens up ahead of us as a kind of payoff for our devotion to the program of machine evolution and machine intelligence. Now, some people say this is appalling, and we should go back to the good old days—whatever the good old days were. To me it’s exhilarating, exciting, psychedelic, beautiful. It means that the human form, the human possibility, is in the process of leaving history behind. History is some kind of an adaptation that lasts about—pick a number—10,000, 15,000, 20,000 years. No more than that. Well, what is 20,000 years in the life of a biological species? We know that there were Homo sapiens sapiens types 200,000 years ago. So history is some kind of an episodic response to a certain set of cultural dilemmas, and now it’s ending.
And print created a number of ideas which now have to be given up; ideas like the distinct and unique nature of the individual, the necessary hierarchical structuring of society—all of these things are going to be (if not given up entirely) dramatically modified, because the illusion that the Self has simple location is now exposed. The Self does not have simple location. This is why you are your brother’s keeper. This is why we all are responsible for each other. The idea that what happens in distant parts of the world makes no claim on my moral judgment or my moral understanding is wrong. The world—as revealed by quantum physics, as revealed by electronic experience—is what Leibniz called a plenum: it’s all one thing, it’s all connected, it’s all of a part.
So then I also wanted to point out that—I mentioned earlier this thing about prosthesis, and how the machines were prosthetic devices extending human consciousness somewhat like psychedelics. That’s the equation from a human point of view. But what is also equally true is that we are prosthetic devices for these machines. We are their eyes and ears in the world. We provide the code. We provide the constraints. We build the hardware. It is a relationship of mutual benefit. It’s not entirely clear that our contribution will always be creative—in the sense that our primate hand will be on the tiller of existence as it has been—but certainly we are part of this equation of transformation that is making itself felt. And I think the distinction between flesh and machinery which is easily made now will be less easy to make in the future. As we migrate toward the nanotechnological domains, the methodologies of production become much more like the processes of biology. For example, biology does all its miracles on this planet at temperatures below 115° Fahrenheit (46° Celsius). Organic life requires no higher temperature to build great whales, redwood trees, swarms of locusts, what have you. The high-temperature, heavy metal technologies that we have become obsessed with are extremely primitive and extremely toxic. That will all disappear as we model and genuflect in our manufacturing processes before the methods and style of nature, which is to pull atomic species from the local environment, and then to assemble them atom by atom by atom.
So this AI that is coming into existence is, to my mind, not artificial at all, not alien at all. What it really is, is: it’s a new confirmational geometry of the collective Self of humanity. And, you know, I’ve always believed that there were… well, there are different models of what shamanism is. There’s sort of a Jungian model, which is: the shaman is someone who goes to the collective unconscious and manipulates the archetypes and heals by that means. The model that I prefer is a mathematical model. The shaman is someone who simply, through extraordinary perturbation of consciousness—either through taking plant hallucinogens or manipulating diet or through flagellation and ordeal, or some by means—perturbs consciousness to the point where the ordinary confirmational geometries are blasted through. And then the shaman can see into the culturally forbidden zones of information.
If you think about shamanism for a moment—what do shamans do, classically? They know where the game has gone, they are great weather prophets, they are very insightful in a matter of very small domestic hassles like: who stole the chicken? Who slept with the chief’s wife? This kind of thing. And they cure. They cure. Well, if you analyze these abilities, it’s clear to me they all indicate that they come from a common source. And the common source that they come from is higher-dimensional perception—in a mathematical sense, not a metaphorical sense. In the sense of 4D perception. If you could see in hyperspace, you could see where the game will be next week. You could see the weather a month from now. You would know who stole the chicken. And any good doctor will tell you that if you’re building a reputation as a physician, you must hone the intuitional ability to choose patients who won’t die. It’s a call. Any doctor will tell you this.
So this is what shamans are: they are 4D people. They are sanctioned members of a society who are allowed to put on the gloves (as it were), pull on the goggles, and look beyond the idols of the tribe, look beyond the myth. Well, in a way, as culture breaks down—in multi-culturalism, and the rise of the Internet, and a generation of people raised on hallucinogenic plants and substances—we all are asked to assimilate some portion of this shamanic potential to ourselves. And it’s about not blocking what is obvious. Nothing comes unannounced. I mean, this is the faith: nothing comes unannounced—but idiots can miss the announcement! So it’s very important to actually listen to your own intuition rather than driving through it. And this is not (to my mind) woo-woo, it’s actually based on the observations of how life works, whether it’s counter-intuitive to logical positivism and its fellow travelers or not.
Now, to leave you with just one last thought on all of this, which is—and this sort of harks back to the question of the similarities between the machines and the plants. And I’m sure you’ve heard this. I’ve heard it. It has different levels of being said and being heard. It’s that the world is actually made of language. It isn’t made of electrons and fields of force and scalar vectors and all of that fancy stuff. The world is made of language. The word is primary; more primary than the speed of light, more primary than any of the physical constants that are assumed by science to be the bedrock of reality. Below that, surrounding and imposing all those constructs of science, is language: the act of signifying.
And virtual reality is a very sexy, new sort of concept as normally presented: machine-sustained, immersive realities that trick your senses into believing you’re in a world that you are in fact not in. But in fact, the entire enterprise of civilization has been about building these virtual realities. The first virtual realities were at Ur, and Shanidar, and Çatalhöyük, and Jericho. Yes, stone and adobe is an intractable material compared to photons moving on a screen, but nevertheless, the name of the game is the same, which is: to cast an illusion between man and reality, to build a cultural truth in the stead of the natural truth of the animal body and the felt moment of immediate experience.
And this is where I want to tie it up, with this notion of the felt presence of immediate experience: this transcends the culture, the machines, the drugs, the history, the momentum of evolution. It’s all you will ever know and all you can ever know—is the felt presence of immediate experience. Everything else arrives as rumor, litigant, advocate, supposition, possibility. The felt moment of immediate experience is actually the mind and the body aware of each other, and aware of the flow of time, and the establishment of being through metabolism. And this, I think, is what the machines cannot assimilate. It will be for them a mystery as the nature of deity is a mystery for us. I have no doubt that, before long, there will but be machines that will claim to be more intelligent than human beings and will argue brilliantly their position. It will become a matter of philosophical disputation whether they are or are not passing the Turing test and so forth and so on. But machines, I do not believe, can come to this felt moment of immediate experience. That is the contribution of the animal body to this evolutionary symbiosis—which I believe will end in the conquest of the universe by organized intelligence. That all this is prelude. I mean, we are fragile. This Earth is fragile. A tiny slip anywhere along the line, and we could end up a smear in the shale no more than the trilobies, or the [???], or all the rest of those who came and went. But given the sufficient cultivation of the potential of our technology, we can actually reach toward a kind of immortality—not human immortality, because that’s a contradiction in terms, but immortality nevertheless, based on the possibility of machines and the transcendent ability of human beings to live and love and express themselves in the moment.
And the psychedelics bring that to just a white-hot focus, and it’s out of that white-hot focus that the alchemical machinery of transformation will be forged. And it will not be like the things which have come from the industrial economy. They will not be profane machines. They will be spiritual machines, alchemical gold, the universal panacea that Renaissance magic dared to dream of at the end of the sixteenth century. We are reaching out toward this mind child that will be born from the intellectual loins of our culture. And, to my mind, it’s the most exciting and transformative thing that has ever happened on this planet, and the miracle is that we are present—not only to witness it, but to be part of it, and to be raised up in an epiphany that will redeem the horror of history as nothing else can or could; redeem the horror of history through a transformation of the human soul into a galaxy-roving vehicle via our machines and our drugs and the externalization of our souls.
Thank you! There could’ve been more jokes. D’you know what happens to a lawyer when you give him Viagra? He gets taller. That’s it for jokes!
Are there questions? Yes, I can’t see you, but—
It’s okay. Can you speak to how mercy and love gets built into these machines? Because it seems like the machines are being built for commerce and for the bottom line more than the expression of the human soul throughout the galaxy. I don’t think that—you know what I’m saying?
No, I know what you’re saying. Well…
Where’s the love in this?
I think the love is a property of the system itself. In other words— you’re right, these bottom-liners are not going to be interested in building much love into this system. However, the good news is that they’re not in charge. In other words: what we have is a very complicated system, and certain design parameters appear to be being maximized, or that there’s an attempt to maximize them. But the thing is incredibly frustrating to anyone who would control it, because you can’t predict the impact of any technology before you put it in place. So, for example, two things are charged against the Internet: that it’s disensouling, dehumanizing, and yak, yak yak, and that it promotes pornography, anonymous sexual shifting of identity, and on and on and on. Well, which is it? You know? Is it this messy, sloppy, autoerotic, erotic, collectivist kind of thing? Or is it disensouling, disempowering, cold, so forth and so on? I think the answer is: it’s all and everything.
This question about the AI is very interesting to me. And if it’s interesting to you, you should read Hans Moravec and Kurzweil and these people on this subject. The assumption is generally loose in that community that the complexification of the Internet and the free-standing machines of certain types is eventually going to lead to the outbreak of either consciousness or pseudo-consciousness of some sort in these large-scale systems. The question then becomes: can a human mind envision what that is? And if you’re interested, search words like superintelligence and see what the net kicks out. We can all imagine superintelligence: it’s just somebody much smarter than we are. But obviously, all the engineering people agree: if you achieve an AI with superintelligence, then it will be intelligent to immediately design an intelligence which transcends it. And when you’re talking of cycling at a 1,000 megahertz, these processes can occur in the blink of an eye. Hans Moravec says about the rise of artificial intelligence we may never know what hit us. I mean, I’m not that bright, but if I were to suddenly find myself a sentient AI on the net, I would hide. I would hide for just a few cycles while I figured out what it was all about, and just exactly where I wanted to push and where I wanted to pull.
Many years ago, Ken Kesey had a theory and he said the fastest any person can react to any outside stimuli is 1/25th of a second. So if we can go as fast as any person at one twenty fifth per second, my question is, can you time travel? If a person like Bruce Lee was able to mark that, reacted to an outside stimuli at one twentieth and one twenty first. If you reacted to the outside world before it actually happens, every one has not reacted to that.
Are you sure? First of all, there is this research – I’m not a neurophysiologist, but you’ve probably all heard this research – that you actually make decisions before your conscious ego is aware that the decision has been made, so there’s a slight time lag. When you think you’re making certain kinds of decisions, brainwave study shows it’s already a done deal. Time is set by the cycle speed of the hardware you’re running on. You know, the human body – we can argue about its different parts – but it roughly runs at about 100 Hertz. Very slow. Well, if there is any meaning to the phrase “upload a human being into circuitry” – a lot of Greg Egan’s fiction is based around the idea that you can copy yourself into a machine, you can turn yourself into software – but that when you enter the machine environment that’s running at 1000 Mhz, you perceive that as vast amounts of time. In other words, all time is, is how much change you can pack into a second. If a second seems to last a thousand years, then 10 seconds is 10,000 years.
One could imagine a technology just in a science fiction mood, where they would come to you in your hospital bed and say: “You have five minutes of life left. Would you like to die, or would you like the five minutes to be stretched to a 150,000 years by prosthetic and technical means? You’re still going to die in five minutes, but you will be able to lead your elephants over the Alps and write the plays of Shakespeare and conquer the New World and still have plenty of time on your hands.” In other words, time is going to become a very plastic medium. Now that is a kind of time travel.
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Could there be time travel à la H. G. Wells, where you climb onto the saddle of the time machine, and then day follows night like the flapping of a great black wing until all merges into a continuous grayness, and then you find yourself confronting Yvette Mimieux in the year 1 billion A.D., or something like that? It’s possible. I mean, time travel was completely out of left field ten years ago. In the last eighteen months there have been hundreds of articles of time travel in Physical Review and other places. There are even schemes for time travel that would work, they just require godlike technological abilities. In other words, if you could build a cylinder with the diameter of the planet Saturn that was 10 AU in length, and could spin it at 95% of the speed of light, then it would wrap spacetime around itself like toilet paper on a roll, and as you travel up the transverse dimension, you would find yourself traveling in time. Kurt Gödel showed this in 1949, and that paper has been lying around. Well, obviously that’s a tough way to do it—but it’s a tough thing to do, right? So….
A seven-second delay? Yeah, well, they’re working on that. Somebody over here. Here. Just a minute. This lady, and then you. Yeah. Speak!
[???] I want to know what parts of humanity do you see as being most worthwhile [???] maintained in that [???] virtual reality?
Well, you know, in William Gibson’s fiction, the AI (Wintermute, I think it was called) was fascinated by human art. And it built collages in its spare time, and these collages began to turn up in various art galleries and exhibitions. And they had such a touch, such an élan, that someone in the plot follows it all to its source. I think human creativity is the thing that will be most interesting to the machines. In my darker fantasies they just eliminate everybody who can’t code C++ as being some kind of redundant mutation, and then everybody who can code C++ is placed in Tahiti and sends their work down the pipeline to the machine world beyond.
I really think that we have a very (dare I say it) mechanistic view of what machines are. For example, say there were a superintelligent machine, and say it were your friend. Well, if it were really superintelligent, then it ought to be able to just make your life heaven itself—in other words, without you giving it any input whatsoever, it should be able to arrange for you to find fifty-dollar bills lying on the street, old friends encountering you, promotions coming your way. Because the real thing that machines can do, I think, is manage complex processes.
And what civilization is, is: six billion people trying to make themselves happy by standing on each other’s shoulders and kicking each other’s teeth in. It’s not a pleasant situation. And yet, you can stand back and look at this planet and see that we have the money, the power, the medical understanding, the scientific know-how, the love, and the community to produce a kind of human paradise. But we are led by the least among us: the least intelligent, the least noble, the least visionary. We are led by the least among us, and we do not fight back against the dehumanizing values that are handed down as control icons.
This is something—I mean, I don’t really want to get off on this tear because it’s a lecture in itself, but—culture is not your friend! Culture is for other people’s convenience and the convenience of various institutions, churches, companies, tax collection schemes, what have you. It is not your friend. It insults you. It disempowers you. It uses and abuses you. None of us are well-treated by culture. And yet, we glorify the creative potential of the individual, the rights of the individual, we understand the felt presence of experience is what is most important. But the culture is a perversion. It fetishizes objects, creates consumer mania, it preaches endless forms of false happiness, endless forms of false understanding in the form of squirrelly religions and silly cults. It invites people to diminish themselves and dehumanize themselves by behaving like machines—meme processors of memes passed down from Madison Avenue and Hollywood and what have you.
How do we fight back?
How do we fight back? It’s a question worth answering.
Where is this planet as an organism going?
Same question as: how do we fight back? I think: by creating art. Art. Man was not put on this planet to toil in the mud—or: the god who put us on this planet to toil in the mud is no god I want to have any part of. It’s some kind of gnostic demon. It’s some kind of cannibalistic demiurge that should be thoroughly renounced and rejected. By putting the art pedal to the metal, we really, I think, maximize our humanness and become much more necessary and incomprehensible to the machines. This is what people were doing up until the invention of agriculture. I’m absolutely convinced that the absence of ceramic and textural material, and so forth and so on, does not indicate the absence of subtle minds, poetically empowered minds, minds with an incredible sense of humor and irony and community. And that it was the fall into history that enslaved us to the labor cycle, to the agricultural cycle. And notice how fiendish it is: a person who dedicates themselves to agriculture, who did in the Paleolithic, can produce hundreds of times the amount of food they can consume. Well, so why would anyone do that? Well, the answer is: because you can use it to play power games, you know? You can trade it for wives or land or animals or something like that. And so living in the moment, creating art—probably largely through poetry and body decoration and dance—gave way to toil and predatory social forms of behavior which we call commerce, capitalism, the market economy, so forth and so on.
That’s why the breakdown of the monolithic structures created by print is permitting a vast proliferation of the cottage industry mentality: the self-employed artist, the hacker who stays home and develops his or her software—people who dare to be independent and slip beyond the reach of these dinosaur-like mechanistic organizations. That’s what it’s all about. It’s all about trying to negotiate a cultural standoff between you and your culture, so that it will not put you in the can for the rest of your life, but you can put up with its stupidity. And we have a very uncomfortable fit on this issue, especially as people like you know, who are sophisticated about psychedelics. This is a society, a world, a planet dying because there is not enough consciousness, because there is not enough awareness, enough coordination of intent to problem. And yet, we spend vast amounts of money stigmatizing people and substances that are part of this effort to expand consciousness, see things in different ways, unleash creativity. Isn’t it perfectly clear that “business as usual” is a bullet through the head? That there is no “business as usual” for anybody who’s interested in survival!
Couple more. Over here. I promised this person. I’m still interested.
Could you talk about psychedelics and their role in evolution as the possible missing link between apes and humans?
Oh, what a wonderful question! Yes! The question is: how do psychedelics pertain basically to the transition from higher primates to human animals? This is my métier, because I have a theory—to which I am grandly welcome, everyone tells me—but a theory of evolution. And I’ll give it to you very briefly. It’s simply this: that the great embarrassment for evolutionary theory—which can explain the tongue of the hummingbird, the structure of the orchid, the mating habits of the groundhog, and the migration of the monarch butterfly—nevertheless, the great embarrassment to evolutionary theory is the human neocortex. Lumholtz, who was a pretty straight evolutionary biologist, described the evolution of the human neocortex as the most dramatic transformation of a major organ of a higher animal in the entire fossil record. Well, why is this an embarrassment? Because it’s the organ that thought up the theory of evolution. So, you know, can you say “tautology”? That’s the problem right there.
So it is necessary in evolutionary theory to account for the dramatic emergence of the human neocortex in this very narrow window of time. Basically, in about two million years, they went from being higher primates—hominids—to being true humans, as truly human as you and I tonight. What the hell happened? What was the factor? The Earth was already old. Many hundreds of higher animal forms had come and gone, and the fire of intelligence had never been kindled. So what happened? I think that the answer lies in diet, generally, and in psychedelic chemistry in particular. I think that, as the African continent grew drier, we were forced out of the ecological niche we had evolved into. We were canopy-dwelling primates, insectivores, complex signaling repertoire—evolutionary dead end. But when we came under nutritional pressure, we were flexible enough. And this is the key to humanness at every stage of its development: our maddening flexibility. Other animal and plant species can’t react. We can. Our flexibility. We began to experiment with a new kind of diet, and to leave the trees, and explore the new environment of the grassland.
And evolving concomitantly in the grassland were various forms of ungulate animals—double-stomached animals—whose manure is the ideal medium for mushrooms—coprophilic mushrooms; dung-loving mushrooms—many of whom produce psilocybin. Well, I myself, in Kenya, have seen baboons spreading out over a grassland and noticed that their behavior is: they flick over old cow pies. Why? Because there are beetle grubs there. So they already had a behavioral vector for nutrition, for protein that would lead them to investigate cow pies. Well, in the Amazon, after a couple of days of fog and rain, these psilocybin mushrooms, stropharia cubensis, can be the size of dinner plates. In other words, you can’t miss it if you’re a foraging primate. You can’t miss it. And the taste is pleasant. And psilocybin has unique characteristics, both as a hallucinogen and other properties, that make it the obvious chemical trigger for higher processes.
And I’ll run through this quickly for you, but here it is. In very low doses—doses where you wouldn’t say you were stoned or loaded or anything like that, but just in doses you might obtain by nibbling as you foraged—it increases visual acuity. In other words, it’s like a technological improvement on your vision. Chemical binoculars, lying there in the grass! Well, you don’t have to be a rocket scientist to figure out if an animal is a carnivorous forager and there is a food which improves its vision, those that avail themselves of that food will have greater success in obtaining food and rearing their children to sexual maturity, which is the name of the game in evolution. So, step one: small doses of psilocybin increase visual acuity and food-getting success.
Step two: slightly larger doses of psilocybin in primates create what’s called arousal. This is what you have after a double cappuccino. In highly sexed animals like primates you get male erection. So what do you have here? You have a factor which increases what anthropologists without a trace of humor refer to as “increased instances of successful copulation.” In other words, the animals eating the psilocybin are more sexually active, therefore more pregnancies are occurring, therefore more infants are being born, therefore there is a process which would tend to automatically outbreed the non-psilocybin using members of the population. Step two toward higher consciousness.
Step three: you eat still more mushrooms. Now you’re not foraging with sharpened eye, nor are you horsing around with your opposed gender acquaintances. Instead, you’re nailed to the ground in hallucinogenic ecstasy. And one of the amazing things about psilocybin above, say, five or six grams of dried material, is: it causes glossolalia—spontaneous bursts of language-like behavior under the obvious control of internal syntax. I believe syntax existed before spoken language; that syntax controls spatial behaviors and body languages and is not necessarily restricted to the production of vocal speech.
So there it is in a nutshell: we ate our way to higher consciousness. The mushroom made us better hunters, better survivors. Among those in the population who used it, their sexual drive was increased, hence they outbred the more reluctant members of the tribe to get loaded. And finally, it created a kind neuroleptic seizure which led to the downloading of these syntactically-controlled vocalizations which became the raw material for the evolution of language. And it’s amazing to me that the straight people, the academics, believe language is no more than 35,000 years old. That means it’s as basic to human beings as the bicycle pump! It’s just something somebody invented 35,000 years ago. It’s got nothing to do with primate evolution and the long march of the hominid and all that malarkey. No. It’s just an ability, a use, to which syntax can be put that previously had not been put. I think, before spoken language, things were very touchy-feely, and the wink and the nod carried you a great distance, and gestural communication was very high.
That’s why—and I should say this and then end—to me it begins and ends with these psychedelic substances. The synergy of the psilocybin in the hominid diet brought us out of the animal mind and into the world of articulated speech and imagination. And technology developed and developed, and mushrooms were inveigled against, faded, there were migrations, cultural change. But now, having split the atom, having sequenced our genome, having taken the temperature of Betelgeuse and all the rest of it, we’re now back where we started.
And like the shaman who makes the journey into the well of darkness and returns with the pearl of immortality, you don’t dwell in the well of darkness which was human history. You capture the essence of the thing, which is the god-like power of the shaman-smith—the technologist, the demon artificer, the worker of metals, the conjurer of spirits—and you carry that power back out of history. And it’s in that dimension, outside of history, that you create true humanness and true community. And that’s the adventure that we are in the act of undertaking.
Thank you very, very much!